Pigment Prints

Museum-quality giclée (inkjet) prints on fine art paper or canvas

Photograph by Sam Aslanian

Photograph by Jock McDonald

Rich with depth, tonality, and texture


We offer a carefully selected set of archival papers and canvas designed to provide the very highest quality across a variety of finishes and textures.

Each print is hand-optimized for your selected paper.

Our staff draws on decades of photography experience to thoughtfully color and contrast correct, dodge, burn, crop and further adjust your images to bring out their full potential.

We use the industry’s finest photo papers

Photograph by Greg Goodman

Museum-quality inkjet papers


At Dickerman Prints, we’re proud to offer a large selection of high-quality papers by Hahnemuhle, Epson, Moab, and Canson. Our papers are divided into two pricing tiers: standard and premium.

Click below to see all of our paper options.

Moab Entrada Rag Bright 290.
A single-sided paper made from 100% cotton with a water-resistant matte surface The paper has an expanded color gamut, maximum contrast and a high ink load capacity.

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Canson Photo Satin Premium RC.
High quality, resin coated photographic and proofing paper with satin finish. This paper has a very sturdy base and extremely wide color gamut. Similar to  semimatte photo paper.

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Epson Hot Press Bright.
An acid free, 100% cotton rag media with a bright smooth finish. This paper has an extremely-high color gamut and black density.

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Epson Premium Glossy.
A favorite among nature and landscape photograhers who require extreme sharpness and clarity. — Available in 250 g/mand 260 g/m2.

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Moab’s Entrada Rag Natural.
A 100% cotton paper. It is acid- and lignin-free; and exhibits an expanded color gamut, maximum contrast and high ink load. The natural fiber coloration of this paper yields images with warmer tones, and is well suited for portrait photography applications.

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Epson Cold Press.
An acid-free, 100% cotton rag media with a bright textured finish. This paper has an extremely-high color gamut and black density.

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Epson Enhanced Matte Inkjet Paper.
A 192 g/m2 bright white paper with a matte finish. The paper yields highly saturated images, while maintaining highlight and shadow detail.

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Epson Premium Luster.
A favorite among nature and landscape photograhers who require extreme sharpness and clarity. — Available in 250 g/mand 260 g/m2

Canson Infinite Platine Fibre Rag 310.
Platine Fibre Rag’s extremely high Dmax and exceptional grey tones make it the product of choice for the more discerning black and white as well as color photographic prints.

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Breathing Color Lyve Matte Canvas 390.
An additive-free Chromata White optical brightener technology and a high resolution surface.

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Epson Exhibition Fiber.
Some of the world’s greatest photography has been produced on this paper. A true fiber-based, photographic paper, perfect for professional color and black-and-white prints.

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Epson Legacy Etching.
A pure white 100% cotton fibre paper with a textured matte finish. This paper simulates the touch and feel of old world artist etching pads and handmade paper and produces deep, rich blacks (Dmax), expanded color gamut and gentle tonal gradations.

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Epson Legacy Platine.
A 100% cotton fiber paper with a bright and smooth satin finish. This paper combines the look and feel of the silver halide F-surface with a true cotton base. It produces deep, rich blacks (Dmax), expanded color gamut and gentle tonal gradations.

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Epson Legacy Baryta.
This paper has a white, smooth satin finish with deep and rick blacks (Dmax), expanded color gamut and gentle tonal gradations. This paper delivers the look and feel of the revered silver halide F-surface darkroom papers.

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Hahnemuhle PhotoRag Bright 310.
The first choice for all users who prefer an especially bright white cotton paper. It is ideal for reproducing high contrast images.

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Hahnemuhle William Turner 310.
With its matte watercolour texture, this paper is a genuine mould-made paper in both look and feel. William Turner is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions.

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Hahnemuhle Torchon 285.
The term “torchon” is taken from the French and means “coarse structure”. The special surface texture of this bright white paper is a reminder of this. It can capture the timeless original beauty and three dimensionality of an artwork in its own special way.

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Canson BFK Rives.
A unique, fine-grained smooth surface and structure, and a pure white tone that is ideal for sophisticated photographs, museum-grade applications, and fine art printmaking.

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Hahnemuhle Museum Etching 350.
The luxurious texture of a traditional etching board and the natural white point make Museum Etching the ideal medium for images with soft tints or fine grey nuances.

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Hahnemuhle German Etching 310.
This heavyweight etching board is velvety smooth with a fine surface texture. German Etching is one of the most popular media worldwide for artwork and photography.

Canson and Hahnemühle love our print lab

     

A few of our favorite
giclée papers

Canson Platine Fiber Rag

A beautiful pure white toned paper that has the look and feel of a traditional geletan-silver print.

Canson Printmaking Rag

Formally known as BFK Rives, this 100% cotton fiber base paper has a beautifully-soft textured matte surface.

Epsom Hot Press Bright 

Made from 100% cotton rag, this paper has a smooth matte finish with a full tonal range.

Moab Entrada Bright

Entrada is an archival acid- and lignin-free paper with an expanded color gamut, natural contrast and high ink load.

Hahnemuhle German Etching

This fine art paper is characterised by its extraordinary velvety tactile feel and its fine, clearly defined felt structure.

Hahnemuhle Photo Rag Baryta

This natural white paper comes in a pleasant, warm shade of white, while the exquisite surface texture gives it a lovely, delicate feel.

Let’s chat about your project

(415) 252-1300
[email protected]

Photograph by Jock McDonald

Your print is optimized for your paper


Our staff draws on decades of photography experience to thoughtfully color and contrast correct, dodge, burn, crop and further adjust your images to bring out their full potential.

This includes any required scanning or image capturing – as well as ensuring that your photo is optimized for your chosen paper.

To achieve the highest quality of your print, archival pigment prints are only offered as a custom service.

Old School Expertise


Garnell Boyd (one of our master printers) started his career in an aircraft carrier darkroom.

Custom Archival
Printing Pricing

Photograph by Fabiano Rodrigues

Canvas Wraps

If you choose one of our canvas-based fine art papers, you can also opt to have it be made ready-to-hang. Once you choose what you want the sides to look like (ie, wrapped around or blank), we’ll take care of the rest.

The photo being printed is by Michael Jang

Epson Inkjet Print Technology


The Epson Stylus Pro 11880 inkjet printer represents the state of the art in pigment printing. And It’s 64-inch wide paper path allows the creation of prints up to 64×96 or larger.

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SCANNING IS INCLUDED
If you have a film, transparency or printed original, we will scan it and work from that original file.

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YOUR PHOTO  –  YOUR VISION.
If you have any specific ideas for your image, please let us know when you place your order.

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FINISHED FILES ON DISC
Finished files are available for $10 per image for print sizes up to 11×14; and $20 per image for larger sizes.

Stop by

1141 Howard Street
San Francisco, CA 94103

Our friendly staff loves to share their expertiese and experience. Come in, load up your photos on a Mac workstation, sip on an organic espresso or tea, and let us help you create the perfect print.


We’re always here to help
(415) 252-1300
[email protected]

Monday: 10 – 6
Tuesday: 10 -7
Wednesday: 10 – 6


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